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"Erin is any production’s secret weapon. Smart, funny, gorgeous, resourceful and armed with an arsenal of skills.  You need a thrilling high C? She’s got one. You want a comedic bit executed flawlessly? She can do it."
-Scott Frankel, Composer
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"Erin always comes ready to play and the brilliance is in her preparation. Her work is always nuanced, layered, thoughtful, and consistent. I can always count on her to deliver the highest quality work (no matter the size of the gig) while managing to inspire and lift up the entire team along the way."
-Joe Barros, Director
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"Erin Leigh Peck is my favorite type of actor - always truthful yet she knows how to wring every last laugh out of a scene. She has a wonderful ability to find the funny, yet she keeps the moment real and relatable. Needless to say, audiences inevitably adore her."

-Joe DiPietro, Playwright 

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"Beautifully performed by Peck, Sonata 1962 refuses us the comfort of easy judgments."

-TheaterMania, Sonata 1962

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"Astonishingly good... It's hard to say enough about the heart wrenching performance of Erin Leigh Peck. When the show opens, we have no idea what pain hides behind that relentlessly chipper attitude. Seeing it slowly erode, together with her happiness, is devastating. Ms. Peck sings her heart out as well"

-Times Square Chronicles, Sonata 1962

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"Erin Leigh Peck is possibly the show-stealing character as Marjorie with her powerful voice and tough acting chops!"

-Act Three Reviews, Mr Confidential, NYMF

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"It is Erin Leigh Peck as Marjorie, Harrison’s niece,whois thestand-out.Her numbers,“Girl Next Door”and“The Duchess of Dirt”are worththe whole show. This role of a wife and motherwho desperately wants toescape and have more is well thought out."

-Times Square Chronicles, Mr Confidential, NYMF 

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